How do great songwriters balance the familiar with the novel?
Where is the “M. Night Shyamalan” twist in the bridge of “Blue Moon?”
Why do the chords of “Hotel California” fit the lyrics so well?
Lecture #10 is all about scales & modes - a somewhat confusing musical concept that generally gets made even more confusing at music schools. Here’s my attempt to explain them, in a more practical way!
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